Let us use this chord change to work with: Again, what we want is a very fluid, unbroken "line" to the music. Most beginning students and many advanced students play four-note chord progressions in a "vertical," detached, or choppy manner with very unmusical results. The sound must be seamless without any silence or sense of space between chords. Each change of harmony must "melt" into the next. The fact that the original music is sung by a choir indicates that the sound produced by the guitarist should be smooth or legato. The entire example is given at the end of this article. It is a short four-voiceĪrrangement of a choral segment of the "Ode to Joy" from. An excellent teaching piece for developing this technique is found in the original (published by Sherry-Brener-it's not in the new revised edition published by Hal Leonard) Christopher Parkening Guitar Method Vol. This is a technique used to play progressions of chords or intervals in a legato style, legato meaning connected or smooth. Here's a technique you rarely read about in technique articles and is rarely explained in most guitar methods and books. This article may be reprinted, but please be considerate and give credit to Douglas Niedt.
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